Rae Spoon @ K Days South Stage
Friday, July 28 at
7515 118 Ave
1 (780) 471-7210
This event is expired ( Jul 28, 2017 )
Performances are included in your gate admission and will occur each night of K-Days with shows at 7:30 p.m. and 9:30 p.m.
Rae Spoon is an award-winning Canadian musician, songwriter, producer, multi-instrumentalist and author. They have released eight solo albums spanning folk, indie rock and electronic genres over the past twelve years and have toured across Canada and internationally. Their live shows swing between audience singalongs and large danceable arrangements, which keep them playing everywhere from folk festivals and house concerts to rock concerts and theatres. Rae was the subject and composer of the score for the National Film Board–produced musical-documentary My Prairie Home, which premiered at Sundance Film Festival in 2014. They have been nominated for two Polaris Prizes, a Lambda Literary Award, a Western Canadian Music Award, a CBC Radio 3 Bucky Award and a MOTHA Transgender Musician of the Year Award.
Armour, Spoon’s eighth solo album, is the highly anticipated follow-up to Polaris Prize–nominated My Prairie Home, a musical about Spoon’s fraught childhood in Alberta. As much as My Prairie Home was about Spoon’s upbringing as a queer youth in a Pentecostal household, Armour is about their view of the future. Moments of reckoning with trauma and self-preservation mingle with messages of hope and survival. Armour explores the idea that there is no instruction manual for healthy adulthood, asserting that the attempt to construct meaning is itself the point of life. The album is a tribute to the intimate space where both hope and despair have space to share the same voice. The ten new songs hold all of the lyrical depth indicative of Spoon’s compositions while showcasing their distinctive voice. Armour’s self- produced enigmatic soundscapes blur the lines between organic and electronic instruments. Analogue synthesizers, electronic drum programming, drum kits, percussion, electric bass, cello and guitar carry the album through pop refrains and danceable beats.
Rae’s first book, First Spring Grass Fire, was published by Arsenal Pulp Press in 2012. The book was a finalist for a Lambda Award in the Transgender Fiction category and was shortlisted for an Expozine Alternative Press Award. In the spring of 2014, Rae was awarded a Honour of Distinction by the Dayne Ogilvie Prize, presented by the Writers’ Trust of Canada. Rae’s second book, co- written with Ivan E. Coyote and titled Gender Failure, was published in 2014. Gender Failure was on the 2015 Over The Rainbow Reading List and was translated into German.
“Rae Spoon is one of the most important musicians working in Canada today.” – Now Magazine
“The mark of a gifted songwriter is the ability to create the most emotion with the fewest notes. Rae Spoon is a master of restraint, conveying both hope and hurt at once through simple melodies.” – Exclaim!
“Armour: synths and electronic percussion alongside guitars and Spoon’s evergreen vocals, melodic pop and sharply drawn verses, hope and despair.” – The Toronto Star
“With Armour, Rae Spoon has recorded one of the best albums of the year, and made a very strong case that they’re one of best, and most important, songwriters in Canada. Perfect electronic pop songs that groove, tear at your heart, and seek to create real change.” – Silent Shout
“One of Canada’s best songwriter.” – Aesthetic Magazine
“Spoon’s poignant, raw musicality paired with their evocative, powerful vocals have spoken to Canadians across the nation.” – The Gateway
“The album, Spoon’s eighth solo release, is another stellar electro-based offering of dreamy, rounded and sweetly pleasing pop with, as always, an aftertaste of pretty melancholia.” – Calgary Herald
“Steeped in personal themes and experience, Spoon’s body of work is truly singular.” – The Concordian
“Spoon is an ever-evolving, distinctive experimental artist.” – The Overcast “The haunting, lovely tunes speak for themselves.” – British Film Institute
“Queer-positive, electronic-pop-infused.” – The Stranger
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